> Millie Chen

EDUCATION

1991-1994 - MFA Studio Arts Program, Concordia University, Montreal.
1981-1986 - BFA Honours, York University, Toronto.
1973-1979 - Piano Level X Diploma, Royal Conservatory of Music, Toronto
SOLO & COLLABORATIVE EXHIBITIONS

2007

  • “Watcher,” nuit blanche: D’Arcy Street, Toronto, curator Michelle Jacques.

  • “Demon Girl Duet Buzz Humm,” Lee Ka-sing Gallery, Toronto.

  • “Extreme Centre” (with W.Quigley, E.Von Michalofski), Wharf, Centre d’art contemporain de Basse Normandie, Caen, Centre culturel canadien, Paris, France, curators G. Forest, C. Bédard.

    		•

    2006

  • “PED.Chongqing” (with Andrew Johnson, Warren Quigley, Paul Vanouse, Sichuan Fine Arts Institute students). Tank Loft Arts Center, Chongqing, China.

    		•

    2004-05

  • “…8, 9…” (with Warren Quigley), 3e impérial, Granby, Quebec.

    		•

    2004

  • “Hong Kong Foodscape” (with Leung Ping-kwan, Lee Ka-sing), Hong Kong Heritage Museum, Shatin, Hong Kong, curators Eve Tam, Judy Chan.

    		•

    2003

  • “PED.Tonawandas” (with Andrew Johnson & Paul Vanouse), Carnegie Art Gallery, N.Tonawanda, curator Elizabeth Licata.
    “Cave Paintings,” WARC Gallery, Toronto, curator Irene Packer.

    		•

    2001

  • “Rest,” Art Gallery of Hamilton, Hamilton, curator Shirley Madill.
    “PED” (with A.Johnson & P.Vanouse), University at Buffalo Art Gallery Research Center in Art & Culture, Buffalo.

    		•

    2000

  • “Mouth-to-Mouth” (with Evelyn Von Michalofski), Unlimited Partnerships, CEPA, Buffalo, curator Lawrence Brose.

  • “Hum,” La Centrale/Galerie Powerhouse, Montreal.

    		•

    1999

  • “The Seven Sauces” (with E.V.M.), Live at the End of the Century Performance Festival, Charles H. Scott Gallery, Vancouver, curators Cate Rimmer & Greg Bellerby.

    		•

    1998

  • “Greenroom” (with Warren Quigley), Toronto Sculpture Garden.

    		•

    1997

  • “Kitchen” (with Tomie Arai), Art in General, New York, curator Holly Block.

    		•

    1996

  • “Hungry Ghost Rubric,” Gairloch Gallery, Oakville Galleries, Oakville, Ont., curator Marnie Fleming.

  • “Yurtopia: The Bookwork” (with E.V.M.), The Red Head Gallery, Toronto.

    		•

    1995

  • “Yurtopia” (with E.V.M.), Southern Alberta Art Gallery, Lethbridge, curator Joan Stebbins.

  • “crave, cook,” YYZ Artists’ Outlet, Toronto.

  • “digest,” La chambre blanche, Quebec.

    		•

    1994

  • “digest,” 3-4908 rue St. Denis, Montreal.

    		•

    1993

  • “Hairbread” (with E.V.M.), Gerardus van der Leeuw Ethnological Museum, Groningen, Netherlands.

  • “cook,” Galerie Burning, Montreal, curator Lani Maestro.

    		•

    1992

  • “cook,” The Red Head Gallery, Toronto.

  • “eat,” The Red Head Gallery, Toronto.

    		•

    1990

  • “Buddha Las Vegas Museum Boutique” (with E.V.M.), Buddha Las Vegas Museum Boutique, Toronto.

  • “Compart Mentalize” (with E. Jane Huggard), Goethe Institute, Toronto.

    		•

    1989

  • “Factory,” 198 Bathurst Street, Toronto.

  • “Pachamama” (with E. Jane Huggard), Alma Gallery, Toronto.

    		•

    1988

  • “Dissect” (with E. Jane Huggard), The Funnel, Toronto.

    		•

    1986

  • “Crust,” The Ohm Place, Toronto.

    		•
    SELECTED GROUP EXHIBITIONS

    2007

  • “Playing in Traffic,” Red Bull Music Academy and Art Exposition, Toronto, curators Archive Gallery and Johnson Chou Design.

  • “FILE-Rio 2007: Electronic Language International Festival,” Oi Futuro Cultural Center, Rio de Janeiro, Brazil.

    		•

    2006

  • “glo,” Archive Inc., Toronto, curators Patricia Christie and Johnson Chou.

  • “Live Crime” (Critical Art Ensemble), Do Me!, 7a*11d International Festival of Performance Art, Toronto, curated by Display Cult.

  • “Fray,” Textile Museum of Canada, Toronto, curators Sarah Quinton and Carolyn Bell Farrell.

    		•

    2005

  • “The Feast: Food in Art,” Art Gallery of Hamilton, Hamilton, curator Shirley Madill.

  • “4 Souls, 2 Worlds,” York Quay Gallery, Harbourfront Centre, Toronto, curator Kai Chan.

  • “Group of Seven Revisited,” Cambridge Galleries, curator Ivan Juravic.

  • “Beyond/In Western New York,” Albright-Knox Art Gallery/Buffalo Arts Studio, Buffalo.

    		•

    2004

  • “Sense,” Edmonton Art Gallery, Edmonton, curator Catherine Crowston.

  • “100 Cuts,” Gallery 312, Chicago, curators Laura Kina, Larry Lee.

    		•

    2003

  • “Recycle,”McMaster Museum of Art, Hamilton.

  • “FIVE HOLES: reminiSCENT,” Harbourfront Centre, Toronto,curators Jim Drobnick & Paul Couillard.

  • “ORANGE,” Expression, Centre d’exposition de Saint-Hyacinthe, Québec, curators Mélanie Boucher,  Marcel Blouin, Patrice Loubier.

  • “Dress: Signal,” Art Gallery of Mississauga, Ontario, curators Marlene Hilton Moore & Robert Freeman.

    		•

    2002

  • “ fiX02 International Performance Art Festival,” Catalyst Arts, Belfast, N. Ireland, curator Helen Sharp.

    		•

    2001

  • “Screams/Whispers, “ Tranz ¬® Tech 2001 Media Arts Festival, Toronto International Video Art Biennial, Toronto, curator Charles Street Video.

  • “25 Artists, 25 Years: Celebrating the Faculty of Fine Arts,”* Leonard & Bina Ellen Art Gallery, Concordia University, Montreal, curated by committee. (* current & former faculty)

    		•

    1999

  • “Sister Spaces,” Southern Exposure, San Francisco, curator YYZ Artists’ Outlet.

  • “Manifestation Internationale D’Art de Quebec,” L’Oeil de Poisson, Quebec City, curator Andrée Daigle.

    		•

    1999

  • “Felt” (with E.V.M.), Museum for Textiles, Toronto, curator Kathryn Walter.

  • “Harbourfront Artists’ Gardens” (with Warren Quigley), Harbourfront, Toronto, curator Dianne Bos.

  • “From Hairbread to Wishing Machines: Books by Women Artists” (with E.V.M.), Art Gallery of Ontario.

  • “Anatomical Permutations,” Centro Nacional de las Artes, Mexico City, 1999, El Festival Internacional Cervantino, Museo del Pueblo, Guanajuato, Mexico, curator Dianne Pearce.

    		•

    1998

  • “The Real Mackay” (with E.V.M.), The Visual Arts Centre of Clarington, Bowmanville, Ontario, curators Carolyn Bell Farrell and Margaret Rodgers.

    		•

    1997

  • “Private Investigators: Masquerade and Public Space,” Walter Phillips Gallery, Banff Centre for the Arts, Banff, curator Kathryn Walter.

  • “foodculture,” Art Lab, University of Western Ontario, London, Ontario, curator Barbara Fischer.

    		•

    1996

  • “Duke-U-Menta ’96,” Duke of Connaught, Toronto, curator 23rd Room.

  • “Young Contemporaries '97” (with E.V.M.), London Regional Art & Historical Museums, London, Ontario, curator James Patten.

  • “X-Sightings '96” (with E.V.M.), Anderson Gallery, Buffalo, N.Y.

  • “Title & Other Tigers,” Paul Petro Contemporary Art, Toronto, curator Aiko Suzuki.

    		•

    1994

  • “Naked State,” The Power Plant, Toronto, curator Louise Dompierre.

  • “Consuming Passions: Food, Art, Culture,” Hallwalls Contemporary Art Center, Buffalo, N.Y., curator Sara Kellner.

  • “Dreaming of You,” Garnet Press Gallery, Toronto.

  • “in the seam/en couture,” Les Cours Mont-Royal, Montreal, Access Art Gallery, Toronto Eaton Centre, curator Name 10 parts of the body.

  • “Clay Between My Fingers,” Walter Phillips Gallery, Banff, curator Sylvie Gilbert.

    		•

    1993

  • “Clay Between My Fingers,” Charles H. Scott Gallery, Vancouver.

  • “The Heliotropic,” Mercer Union, Toronto, curator Jennifer McMackon.

    		•

    1992

  • “By A Lady*,” Mercer Union, Toronto, curator Penelope Stewart.

  • “Le Silence éclate: La Communaute Chinoise,” Guy Favreau Centre, Montreal, curator Jonas Mah.

  • “Entre Parenthèse,” Bourget Gallery, Montreal.

    		•

    1991

  • “Name 10 parts of the body.,”  John B. Aird Gallery, Toronto.

  • “Unnatural Selection,” The Red Head Gallery, Toronto.

    		•

    1990

  • “The Temporary Contemporary Show,” The Guild Inn, Scarborough, Ontario.

    		•

    1986

  • “Sixth International Small Art Exhibition,” Museum of Art, Yamanashi Prefectural, Japan

    		•
    SCREENINGS

    2007

  • “Foodstalls, ” Hong Kong Asian Film Festival.

  • “1 minute between Great Lakes with the Demon Girl,” Toronto Urban Film Festival.

    		•
    PUBLIC ART COMMISSIONS

    2005

  • “Chinoiserie Room,” Gladstone Hotel, Toronto.

    		•

    2002

  • “Third Garden”(in collaboration with Warren Quigley), Lakeshore Grounds, Toronto.

    		•

    2001

  • “Timetrack” (with W. Quigley),  Dempsey Park, Toronto.

    		•

    1998

  • “West Toronto Junction Engine House Commemorative Mural,” Canadian Pacific Railway, Toronto.

    		•

    1997

  • “Gateway” (with W. Quigley), Spadina LRT, Toronto Transit Commission.

    • 1995

  • “You are here,” Urban Strategies Ltd. (Berridge Lewinberg Greenberg Dark Gabor Ltd.)

    		•
    SELECTED AWARDS/GRANTS

    2007

  • Publication Subvention Fund,  College of Arts and Sciences, University at Buffalo, SUNY.

    		•

    2006

  • Project Grant, The Canada Councilfor the Arts.

    		•

    2005

  • Individual Development Awards Program, University at Buffalo, SUNY

    		•

    2004

  • Chalmers Arts Fellowship, Ontario Arts Council.

  • Individual Development Awards Program, University at Buffalo, SUNY.

    		•

    2003

  • International Residency - Paris Studio, The Canada Council for the Arts.

  • College of Arts & Sciences Dean’s Travel Fund, University at Buffalo, SUNY.

  • Individual Development Awards Program, University at Buffalo, SUNY.

  • Canadian-American Studies Committee Research Grant, University at Buffalo, SUNY.

    		•

    2002

  • Creation/Production Grants to Professional Artists, The Canada Council for the Arts.

  • Visual Arts Senior Artists Grant, Ontario Arts Council.

  • Individual Development Awards Program, University at Buffalo, SUNY.

  • College of Arts & Sciences Dean’s Travel Fund, University at Buffalo, SUNY

    		•

    2000

  • Individual Development Awards Program, University at Buffalo, SUNY.

  • Julian Park Publication Fund, University at Buffalo, SUNY.

  • College of Arts & Sciences Dean’s Travel Fund, University at Buffalo, SUNY.

    		•

    1999

  • Creation/Production Grants to Professional Artists, The Canada Council for the Arts.

  • Visual Arts Senior Artists Grant, Ontario Arts Council.

    		•

    1998

  • Grant to Visual Artists, Toronto Arts Council.

  • Project Grant, Ontario Arts Council.

  • Travel Grant, The Canada Council for the Arts.

    		•

    1997

  • Grants to Visual Artists, Toronto Arts Council.

  • Travel Grant, The Canada Council for the Arts.

    		•

    1995

  • Protégé Award, Toronto Arts Foundation (through Berridge Lewinberg Greenberg Ltd.). B Grant, The Canada Council for the Arts.

    		•

    1994

  • B Grant, The Canada Council for the Arts.

  • Grants to Visual Artists, Toronto Arts Council.

    		•

    1993

  • Arts Abroad Grant, Ontario Ministry of Culture and Communications.

  • Residency Scholarship, The Banff Centre for the Arts.

    		•

    1992

  • Collaborative B Grant, The Canada Council for the Arts.

  • Project Grant, The Canada Council for the Arts.

  • Travel Grant, The Canada Council for the Arts.

    		•

    1984

  • Carl Dair Memorial Award, York University.

    		•

    1983

  • Jack Bush Scholarship, York University.

    		•

    1979

  • Gallery School Scholarship, Art Gallery of Ontario.

    		•

    1976

  • Third Place Award, Kiwanis Music Festival.

    		•
    RESIDENCIES

  • 07/2006 Wharf, Centre d’art contemporain de Basse-Normandie, Caen, France. Exhibition Residency.

  • 05/2003-08/2003 The Canada Council for the Arts Paris Studio, Paris, France. Artist Residency.

  • 08/2001-10/2001 Charles Street Video, Toronto. “Screams/Whispers” Exhibition Residency.

  • 09/1999 Charles H. Scott Gallery, Vancouver. Exhibition Residency (with E.V.M.)

  • 02/1999 Vermont College of Norwich University. MFA in Visual Art Artist-In-Residence.

  • 07/1997 Banff Centre for the Arts, Banff. Exhibition Residency.Residency (with Tomie Arai).

  • 10/1995-12/1995 Open Studio (with E.V.M.), Toronto. Artist Residency.

  • 07/1995-08/1995 Southern Alberta Art Gallery (with E.V.M.), Lethbridge, Alberta. Exhibition Residency.

  • 03/1995 La chambre blanche, Quebec City. Exhibition Residency.

  • 05/1994 3-4908 rue St. Denis, Montreal. Exhibition Residency.

  • 06/1993-07/1993 Banff Centre for the Arts, Banff. Exhibition Residency.

  • 04/1993-06/1993 Gerardus van der Leeuw Ethnological Museum, Groningen, Netherlands. Exhibition Residency.

    • PUBLICATIONS

  • "Tomie Arai: What Surfaces in the Retelling." Exhibition catalogue. Buffalo: CEPA Gallery, 2007. Essay (Pending.)

  • "Lani Maestro: Je suis toi," artpost.info. PostCafe: 'Elbowroom' column. 25 July 2006. Review.

  • "Winter Day, in the month of February, in the year of 2003, somewhere near the Canada/U.S.A. border." Ed.

    • Mélanie Boucher. Orange: L'événement d'art actuel de Saint-Hyacinthe. Saint-Hyacinthe: Expression, Centre díexposition de Saint-Hyacinthe, 2006. Essay.

  • "Bridal March." artpost.info, PostCafe, ìElbowroomí column, 4 April 2006. Review.

  • "When the forest moves." Performance Research, 'On Shakespeare,' Vol.10, No.3, Sept.2005. Essay.

  • "sound art: dada to today ñ RAS 7: Revista de arte sonoro." Musicworks, No.93 Fall 2005. Review.

  • "Winter Day, in the month of February, in the year of 2003, somewhere near the Canada/U.S.A. border." Performance Research, 'On Smell,' Issue 8.3, September 2003. Essay. ìThe Process in Public." Espace, No.63, Winter 2003. Article.

  • "Reboot: Fresh Manifesto for Foundations." FATE in Review, Vol. 24, 2001-2002. Article.

  • "Hum." Pink Link ou la proposition Rose 1999-2001. Montreal: La Centrale/Galerie Powerhouse, 2001. Essay.

  • "Damping Chamber, Hornful, Buzz Humm." Unlimited Partnerships: Collaborations in Contemporary Art

    • Buffalo: The Center for Exploratory and Perceptual Art, 2001. Essay.

  • "Ghost Stories." Ghostwriter. Ed. Lorraine Johnson, Millie Chen, Lois Andison, Rebecca Baird. Exhibition catalogue. Toronto: Mercer Union, 1998. Essays.

  • Warren Quigley: When the forest moves. Toronto: Toronto Sculpture Garden, 1995. Essay.

    • CO-AUTHORED PUBLICATIONS

  • Co-authored with Evelyn Von Michalofski. "Revelations of the OB Girls." So, to Speak. Montreal: Artexte Editions, Prendre Parole, 1999. Essay.

  • Co-authored with Warren Quigley. Greenroom. Toronto: Toronto Sculpture Garden, 1998. Essay.

  • Co-authored with E.J. Huggard, J. Thib, E.Von Michalofski. In the seam/en couture. Toronto: Name 10 parts of

    • the body, 1994. Text by Renee Baert. Exhibition catalogue.

  • Ibid. Name 10 parts of the body. Toronto: Name 10 parts of the body, 1991. Essay by Nancy Campbell. Exhibition catalogue.

  • Ibid. Name 10 parts of the body. Work Seen, No.10 (Fall 1991). Text. Co-authored with E.V.M. Yurtopia. Toronto: Open Studio, 1995. Bookwork.

  • Ibid. Hairbread. Groningen, Montreal, Toronto: M. Chen & E. Von Michalofski,Gerardus van der Leeuw Ethnological Museum, 1993. Bookwork.

    • PUBLISHED ARTIST PROJECTS

  • "Millie Chen." Tessera: The Senses, Vol. 32, Summer 2002. Artist project.

  • "Demon Girl and Hungry Ghost." When Pain Strikes. Ed. Cathy Busby, Kim Sawchuk, Bill Burns. Minnesota: University of Minnesota Press, 1999. Artist project.

  • "Co-authored with E.V.M. Yurtopia: portable museums." Time Capsule: A Concise Encyclopedia By Women Artists. Ed. Robin Kahn. New York: Creative Time, Inc. & SOS Intíl, 1995. Artist project.

  • "Excerpted Histories of the Demon Girl." Fireweed, Issue 43 (Spring 1994). Artist project.

  • Cook(note)book. "Montreal: M. Chen through Galerie Burning", 1992. Bookwork. Fireweed, Issue 30 (Spring 1990). Artist project.

    		•
    CURATORIAL PROJECTS

  • Tank Loft Contemporary Art Center, Chongqing, China, Co-curator for exhibition of contemporary Canadian and American media art, 2007.

  • CEPA Gallery, Buffalo. Curator/writer for exhibition "Tomie Arai: Untelling," 2005.

  • Mercer Union, Toronto, Co-curator/organizer of Project Room series "Ghostwriter," 1996-97.

  • Mercer Union, Toronto, Curator/writer for exhibition "Ghost Stories," 1997.

  • another bunch of artists, Toronto, Co-organizer of panel discussion "Exhibiting Cultures," 1994.

  • another bunch of artists, Toronto, Co-organizer of panel discussion "Cultural Intercourses," 1995.

  • Name 10 parts of the body, Toronto, Co-curator of exhibition "Name 10 parts of the body.," 1991

  • Name 10 parts of the body, Toronto, Co-curator of exhibition "in the seam/en couture," 1994

    		•
    SELECTED BIBLIOGRAHY

    BOOKS

  • Fischer, Barbara. Foodculture: Tasting Identities and Geographies in Art. Toronto: YYZBooks, 1999. Anthology.

  • Kelly, James J. The Sculptural Idea. Long Grove, IL: Waveland Press, Inc., 2004, pp38-40.

  • Mahan, M.M. "Millie Chen & Evelyn Von Michalofski." Writing Art: An OCAD Journal of Critical Writing. Toronto: Ontario College of Art & Design, 2001.

    • PERIODICALS/JOURNALS

  • Anderson, Shannon. “Millie Chen: Hum.” Artichoke, Vol.12, No.3 (Fall/Winter 2000), pp.42-43.

  • Arsenault, Benoit. “L’ornementation hors d’elle-même.” Impact Campus, 12 Sept. 2000, p.19.

  • Batalion, Judith. “Cracking the domestic collaboration among women artists.” n. paradoxa, Vol.13,  2004, pp.5-17.

  • Bouchard,Gilbert.“Installation art moves beyond images,triggering senses from touch to smell.” The Journal, 09/04.

  • Butler, Jack. “Foodculture.” Lola, No.3 (Winter 1998), pp.72-73.

  • Dault, Gary Michael. “Deeply felt.”  The Globe & Mail, 16 Oct. 1999, p.C19.

  • Dault, Gary Michael. “The Greenroom of Millie Chen & Warren Quigley.” C Magazine, Issue 60 (Nov.-Jan.98/99), pp.38-39.

  • Dault, Gary Michael. “Growing a garden of domestic delights.” The Globe & Mail, 27 June 1998, p.C11.

  • de Blois, Nathalie. “Récoltes Multiples.” ETC Montréal, No.64 (December 2003-February 2004), pp.51-59.

  • Delgado, Jérôme. “Ça sent bon à Saint-Hyacinthe.” La Presse, 31 Aug. 2003).

  • Duff, Tagny. “Live at the End of the Century: Performance Art in Vancouver.” MIX Magazine, Vol.25, No.4 (Spring 2000), pp.28-29.

  • Firmin, Sandra. “Senses of proximity: Millie Chen’s immersive environments.” Art Papers, Jul/Aug 2005,pp.16-18.

  • Ghaznavi, Corinna. “Dust on the Road: Canadian Artists in Dialogue with SAHMAT.” Parachute, 2001, pp.2-3.

  • Girling, Oliver. “Wired Up From Degree Zero.” Eye, Vol.4, Issue 1 (6 Oct. 1994).

  • Gogarty, Amy. “Reconsidering Function.” Contact, No.95, Winter 16 (1994).

  • Hackett, Sophie. “Millie Chen and Warren Quigley.” Lola (Shotgun Reviews), No.3 (Winter 1998), p.79.

  • Hanna, Deirdre. “Greening of perceptions informs deft installation.” Now Magazine, 16-22 July 1998, p.72.

  • Hanna, Deirdre. “Artists fete Asian Heritage with feminism.” Now Magazine, 2-8 May 1996.

  • Hanna, Deirdre. “Elegant Yurtopia embodies a nomadic museum.” Now Magazine, 7-13 Sept. 1995.

  • Hanna, Deirdre. “Chen’s Eat installation feeds on ritual.” Now Magazine, 30 Jan. – 5 Feb. 1992.

  • Hanna, Deirdre. “Women Unite to Fete the Human Body’s Potential.” Now Magazine, 4-10 July 1991.

  • Hassan, Jamelie. “Re-orienting Asian: Millie Chen, cook and crave.” Fuse Magazine, Fall 1995.

  • Hauser, Reine. “Runs together.” Buffalo News, 24 Nov. 2000.

  • Horner, Jennifer. “Yurtopia: Transcending art and culture.” The Lethbridge Herald, 23 July 1995.

  • Hume, Christopher. “Overnight success.” Toronto Star, 3 Dec. 2005, pH1, 18.

  • Hume, Christopher. “The Greening of Toronto.” The Toronto Star, 11 June 1998, p.G7.

  • Hume, Christopher. “Naked State show illuminates dark new age.” The Toronto Star, 22 Sept. 1994.

  • Huntington, Richard. “Stroke of cooperative genius enlivens massive showcase.” The Buffalo News, 15 May 2005.

  • Hume, Christopher. “Exhibit of regional art has big range.” The Buffalo News, 9 May 2005.

  • Hume, Christopher. “Letting food speak for our state of affairs.” The Buffalo News, 11 Oct. 1994.

  • Jackson-Forsberg. “ From Nature to PSYCHOBABBLE.” Artvoice, May 2005.

  • Jones, Susan. “A space for all senses.” The St. Albert Gazette, 02 Oct. 2004.

  • Jonkers, Aliötte. “Brood en Haar in Volkenkundig Museum.” Groninger Dagblad, 22 May 1993.

  • Jordan, Betty-Ann. “Cave Paintings.” Toronto Life, February 2003.

  • Jordan, Betty-Ann. “Felt.” Toronto Life, November 1999.

  • MacKay, Gillian. “Millie Chen at Gairloch Gallery.” The Globe & Mail, 7 Dec. 1996.

  • Maclear, Kyo. “Greenroom: Millie Chen and Warren Quigley.” Toronto Life, Vol.32, No.10 (July 1998), p.35.

  • Malcher, Christian. “Entre Callejones.” El Dia, 17 Oct. 1998, p.C27.

  • Marks, Laura U. “in the seam/en couture.” Fuse Magazine, Vol.XVII, No.3 (Spring 1994).

  • Martinez, B., M.Esther. “Permutaciones Anatomicas: 10 artistas canadienses en México.” El Dia, 6 Apr.’99, p.C24.

  • Martinez Solorzano, Adolfo. “El cuerpo humano: Visto desde Canada.” El Universal, 26 Mar. 1999.

  • Mintz, Fredrica. “You are here.” WE International, Issue 44/45 (Spring/Summer 1998).

  • Nazar, Marilyn. “On the boundaries between art and life.” Dispatch, Vol.9, Iss.I11 (July 2003), pp.3, 11.

  • Patten, James. “Foodculture.” C Magazine (C web-issue), May-Aug. 1998.

  • Rangel, Enrique. “Examinan 10 artistas permutaciones del cuerpo.” Reforma, 14 Oct. 1998, p.C4.

  • Roman, Christina. “Agenda Cultural: Hoy Sabado de Gloria, qué le Parece Acudir a un Espectaculo Cultural.” El Sol de México, 3 Apr. 1999, p.D2.

  • Sandiford, Judith, Ronald Weiss. “Walkabout.” Work Seen, No.12 (Spring 1992).

  • Sheng Wei & Rongrong. “Power of Photography.” Round Table, Contemporary Artists, Iss.041, 2006, pp.52-53.

  • Solózano, Lilia. “Del cuerpo y otras rezones.” correo de hoy, 22 Oct. 1998, p.19.

  • Sooknanan, Renuka. “Breaking Bread over Foodculture.” Fuse Magazine, Vol.23, No.2 (Sept. 2000), pp.48-53.

  • Stewart, Penelope. “By A Lady*” Matriart, Vol. 3, No.2 (1992).

  • Taylor, Kate. “Shedding Light on Nature, Culture.” The Globe & Mail, 13 May 1993.

  • Taylor, Kate. “Art About.” The Globe & Mail, 31 Jan. 1992.

  • Tejada, Roberto. “Unlimited Partnerships: Collaborations in Contemporary Art.” Artvoice, 30 Nov–6 Dec’00, p.21.

  • Tibol, Raquel. “Artes Plasticas en el XXVI Cervantino.” Proceso, 25 Oct. 1998, p.63.

  • Tucker, Ruthann. “Screaming Sirens.” Rites, Vol.3, No.7 (Dec.86/Jan.87).

  • Workman, Michael. “Eye Exam: Bodies in the dirt.” New City Chicago, 8 Aug. 2004, p.19.

  • Yu Ke, Ed.. “Round Table.” Contemporary Artists, Iss.041, 2006, p.53.

    		•
    SELECTED EXHIBITION CATALOGUES

  • Bell Farrell, Carolyn, Margaret Rodgers. The Real Mackay. Toronto, 1998.

  • Block, Holly, Yau Ching. Kitchen. New York: Art in General, 1998.

  • Boucher, Mélanie, Ed. Orange: L’événement d’art actuel de Saint-Hyacinthe. Saint-Hyacinthe: Expression, Centre d’exposition de Saint-Hyacinthe, 2006.

  • Christie, Patricia, Johnson Chou. Playing in Traffic. Toronto: Red Bull Music Academy, 2007.

  • Dompierre,Louise,Arthur Renwick. Naked State: A Selected View of Toronto Art. Toronto:The Power Plant,1994.

  • FILE RIO 2007. Rio de Janeiro, Brazil: FILE Festival Internacional de Linguagem Eletrônica, 2007.

  • Fleming, Marnie, Peter White. Hungry Ghost Rubric. Oakville: Oakville Galleries, 1997.

  • Gilbert, Sylvie,Peter White, Reginald Woolery. Clay Between My Fingers. Banff: Walter Phillips Gallery, 1994.

  • Grachos, Louis, Douglas Dreishpoon, Rebecca Moda. Beyond/In Western New York 2005, Buffalo, NY:

  • Albright-Knox Art Gallery, 2005. Exhibition catalogue.

  • Jurakic, Ivan. “The Paradox of Art in Public.” Re:cycle. Hamilton: McMaster University & Hamilton Artists Inc., 2003.

  • Kellner, Sara, Elizabeth Licata. Consuming Passions: Food Art Culture. Buffalo: Hallwalls Contemporary Arts Center & Castellani Art Museum, 1994.

  • Kester, Grant, Jill Casid, Maria Deguzman. Unlimited Partnerships: Collaborations in Contemporary Art. Buffalo: The Center for Exploratory and Perceptual Art, 2001.

  • Maclear, Kyo,Kathryn Walter. Private Investigators:Undercover in Public Space. Banff:Banff Centre Press,1999.

  • Paradis, Viviane. “Experimenting with Transitional Spaces” Ttransl. Janet Logan. Terrains d’Entente. Granby, Quebec: 3e imperial, 2007.

  • Patten, James. Young Contemporaries. London, Ont.: London Regional Art & Historical Museums, 1996.

  • Pearce, Dianne. Permutaciones Anatómicas: Diez artistas canadienses y el cuerpo humano. Mexico, D.F.: XXVI Festival Internacional Cervantino, 1998.

  • Randolph, Jeanne. “Some Facts Embellished.” Manif d’art: Première édition. Québec City: l’oeil de poisson, 2002. Exhibition catalogue.

  • Sixth International Small Art Exhibition Selected Works Catalogue. Yamanashi, Japan: Museum of Art, No.14 (31 May 1986).

  • Tejada, Roberto. PED: Service Manual 2001. Buffalo: University at Buffalo Art Galleries, 2003.

  • Walter, Kathryn. “Digest: A Living Art and An Art About Living.” Bulletin. Québec: La chambre blanche, 95/96.

  • Walter, Kathryn. Felt. Toronto: The Museum for Textiles, 2000.

  • Christl, Rudi, David Crombie. Toronto: The Celebration. Toronto: Aura One Enterprises Inc., 1999, p.172.

    • COLLECTIONS
    Archive Inc., Art Gallery of Ontario, Art Bank, Canadian Pacific Railway, Harbourfront Corporation, Royal Ontario Museum, Toronto Transit Commission, Urban Strategies, Private Collections in Canada, U.S.A., Japan
    LECTURES & PANELS

  • Ontario College of Art & Design, Toronto, 2007, “nuit blanche” panel discussion.

  • empyre, www.subtle.net/empyre, 2007, “Critical Spatial Practices”  online panel discussion.

  • Oi Futuro Cultural Center, Rio de Janeiro, Brazil, 2007, “FILE-Rio 2007: Electronic Language International Festival” Symposium, Lecture “PED, the proposition.”

  • Textile Museum of Canada, Toronto, 2006, “Wear and Tear” panel discussion.

  • Sichuan Fine Arts Institute, Chongqing, China, 2006, Art Theory Department, Lecture.

  • Sichuan Fine Arts Institute, Chongqing, China, 2006, Visiting Faculty Lecture.

  • Tank Loft Contemporary Arts Center, Chongqing, China, 2006, “Vision” screening series of artists’ films and videos. Co-curator, co-presenter.

  • University of Lethbridge, Lethbridge, Alberta, 2006, Art Now Visiting Artist Program. Lecture.

  • Keyano College, Fort McMurray, Alberta, 2006, Keyano Art Gallery Art Talk. Lecture.

  • University at Buffalo, SUNY & Albright-Knox Art Gallery, Buffalo, 2005, “The Roles and Representations of Walls in the Reshaping of Chinese Modernity” Conference. Panelist, “Cultural Walls: Minorities, Diasporas, Westerners, and the World.” Paper, “Near Far: Dispersion, Relocation, Mobility.”

  • Ontario College of Art and Design, Toronto, 2005, Drawing: Site and Intervention. Guest Lecture.

  • Women’s Art Resource Centre, Toronto, 2004, “20/20 Vision: Seeing Our Way Through Change” Conference. Moderator, “Sight>>>Specific” Panel.

  • Edmonton Art Gallery, Edmonton, 2004, “Sense,” exhibition, Artist Talk.

  • University of Alberta, Edmonton, 2004, Department of Art and Design, Visiting Artist Program, Lecture.

  • Grant MacEwan College, Edmonton, 2004, Fine Art Ptrogram, Lecture.

  • DePaul University, Chicago, 2004, The Department of Art & Art History, The Visiting Scholars Series, Lecture.

  • WARC Gallery, Toronto, 2004, “International Residencies.” Panelist.

  • Cornell University, Ithaca, 2003, “Sound Cultures: An International Workshop of Art and Theory.” Guest Lecture “Meat Speech.”

  • CONVERGENCE, Strategies and Influences: A National Conference for Artist-Run Centres, Artists and Curators,  organized by ARCCO (Artist-Run Centres and Collectives of Ontario), Ottawa, 2002. Panelist, “Deviant Practices/Hybrid Practices.”

  • York University, Toronto, 2002, MFA Programme. Guest Lecture.

  • University at Buffalo, SUNY, Buffalo, 2003, Department of Media Study, Body Works: Medicine, Technology, and the Body in the late 20th Century. Guest Lecture.

  • University at Buffalo, SUNY, Buffalo, 2001, Dept. of Art, & Dept. of Media Study, Visual Studies Speakers Series. Guest Lecture.

  • Art Gallery of Hamilton, Hamilton, 2001. Guest Lecture.

  • FATE (Foundations in Art: Theory and Education) Biennial Conference, Boston, 2001. Chair of Panel, “ReBoot: Fresh Manifestos for Foundation.”

  • College Art Association Conference, Chicago, 2001, Panelist, “Nuts and Bolts: Curriculum Design in Foundations Art Programs.”

  • Ontario College of Art & Design, Toronto, 2001, “Surfacing” Lecture Series.

  • Massachusetts College of Art, Boston, 2000. Guest Lecture.

  • University at Buffalo, SUNY, Buffalo, 2000, Dept. of Art History, Intro. to Contemporary Art. Guest Lecture.

  • Brock University, St. Catharines, Ontario, 2000. Guest Lecture, Dept. of Visual Art.

  • OAAG (Ontario Association of Art Galleries), Royal Ontario Museum, Toronto, 2000. Panelist, “New Directions for Installation Art.”

  • La Centrale/Galerie Powerhouse, Montreal, 2000. Guest Lecture, Colloquium.

  • Concordia University, Montreal, 2000. Guest Lectures, Dept. of Visual Arts.

  • Emily Carr Institute of Art & Design, Vancouver, 2000, “Live at the End of the Century” Symposium.

  • Massachusetts College of Art, Boston, 1999. Guest Lecture.

  • Simon Fraser University, Vancouver, B.C., 1999. Guest Lecture, School for the Contemporary Arts.

  • University of Guelph, Guelph, Ontario, 1999, "Negotiating Audience."

  • Vermont College of Norwich University, Montpelier, Vermont, 1999. Guest Lecture, MFA in Visual Art Residency lecture series.

  • College Art Association Conference, Toronto, 1998, Metro Toronto Convention Centre, Panelist, "Diversity Issues in Canada/U.S.: Advances/Problems/Possible Solutions."

  • Georgian College, Barrie, Ontario, 1998. Guest Lecture, Fine Art Department,.

  • University of Toronto, Toronto, 1998. Guest Lecture, School of Landscape Architecture.

  • Toronto School of Art, Toronto, 1998. Guest Lecture.

  • University of Western Ontario, London, Ontario, 1997. Guest Lecture & Visiting Artist, Visual Arts Department.

  • Emily Carr Institute of Art & Design, Vancouver, 1997, “Orientation” Symposium. 1994, “Clay Between My Fingers” Exhibition.

  • Art in General, New York, New York, 1997. Guest Lecture.

  • Concordia University, Montreal, 1996. Guest Lectures, Dept. of Visual Arts.

  • Oakville Galleries, Oakville, Ontario, 1996. Guest Lecture.

  • Trent University, Peterborough, Ontario, 1996. Guest Lecture & Workshop, Fine Art Department.

  • S.A.W. Gallery, Ottawa, 1996. Guest Lecture.

  • University of Guelph, Guelph, Ontario, 1995, Women in Art History.

  • Ontario College of Art & Design, Toronto, 1994, “in the seam” Exhibition.

  • Fanshawe College, London, Ontario, 1994. Guest Lecture & Visiting Artist.

  • Toronto School of Art, Toronto, 1994. Guest Lecture.

  • The Power Plant, Rivoli Backroom, Toronto, 1994. Panelist, "Net Work."

  • Sheridan College of Art & Design, Oakville, Ontario, 1994. Guest Lecture, Art & Art History Program.

  • The Banff Centre for the Arts, Banff, 1993. Guest Lecture, "Reconsidering Function(s) in Artistic Practices" Ceramics Symposium.

  • Concordia University, Montreal, 1993. Guest Lectures, Dept. of Visual Arts.

    • Last updated: NOV2007